Kyushu University Academic Staff Educational and Research Activities Database
Researcher information
Kazuo UEDA Last modified date:2013.5.1

Associate Professor / Department of Human Science
Human Science
Faculty of Design


Graduate School
Undergraduate School
Other Organization


Homepage
[URL].
Academic Degree
Ph.D.
Field of Specialization
Psychology of Hearing
Outline Activities
Research activities
The current research themes are the following: (1) auditory short-term memory, (2) pitch perception of speech, and (3) English consonant perception under noise by Japanese-native speakers. The third theme is a collaboration work with ATR Human Information Science Laboratories, Kyoto, Japan. He is a member of the Perceptual Psychology Unit of the governmental "Center of Excellence" (COE) program entitled "Design of Artificial Environments on the Basis of Human Sensibility," Kyushu University, since 2003. He has been joining membership of "Center for Applied Perceptual Research," since its foundation in 2010.

Educational activities
He supervises some undergraduate and graduate students. He teaches Psychology of Hearing, Auditory Perception and Cognition, Perceptual Psychology, Science of Auditory and Visual Perception, etc. He had taught Psychology, Perceptual Psychology, Experimental Design, etc. at Kyoto Prefectural University.

Social activities
He has experienced managements in publishing and research meetings at the Acoustical Society of Japan and at the Japanese Society for Music Perception and Cognition.
Research
Research Interests
  • Factor analyses of critical-band-filtered speech and perception of noise-vocoded speech
    keyword : Power fluctuation, frequency bands, noise-vocoded speech
    2007.04.
  • Speech perception under noise and training effect.
  • Short-term auditory memory for speech and nonspeech.
  • Pitch perception of speech sounds.
Current and Past Project
  • A series of experiments is planned to use results from Ueda & Naka jima (2008) in order to produce speech which is degraded in systematical ways. Specifically, noise-vocoded speech shall be produced that lacks the spectral fine-structure of the original recording, and that permits to systematically vary the number of frequency channels used in the synthesis. Furthermore, conventional critical-band based synthesis methods shall be compared with ones that partition the audible frequency range into ’meaningful’ units as determined by Ueda, Naka jima & Araki (2009). Finally, input signals other than noise may be used for the vocoder. The stimuli thus generated may serve as interfering background in ’irrelvant speech’ type paradigms as studied by Ellermeier & Zimmer (1997) or Zimmer, Ghani & Ellermeier (2008). The results may elucidate what makes sounds ’speech-like’ and what are the acoustical properties that produce the greatest degree of memory impairment in the irrelevant sound paradigm. Simultaneously they serve to validate the concept of speech-based auditory universals proposed by Ueda et al. (2009). Several aural presentations and poster presentations were conducted (e.g., Ueda, Nakajima, Doumoto, Ellemeier, and Kattner, 2011; Ellemeier, Kattner, Ueda, Nakajima, and Doumoto, 2012).
Academic Activities
Books
1. A Study Manual for University Students: Welcome to Owl University.
2. Encyclopedia of Sounds.
3. Dictionary of Acoustics.
4. Methods of Psychological Investigation.
5. Musical Perceptions.
6. An Introduction to the Psychology of Hearing.
7. Sound interpretation, in Natural Computation.
Reports
1. Bias in Evaluating Graduation Theses and Oral Presentations.
2. How Can We Mark Graduation Theses and Aural Presentations Properly?.
3. A case of faculty development at Owl University.
4. Auditory Organization and Auditory Scene Analysis.
Papers
1. Kazuo Ueda, Reiko Akahane-Yamada, Ryo Komaki, and Takahiro Adachi,Identification of English /r/ and /l/ in noise: the effects of baseline performance,Acoustical Science and Technology,28 (4) 251-259,2007.07.
2. Ueda, K.,Short-term auditory memory interference: the Deutsch demonstration revisited,Acoustical Science and Technology,vol. 25, no. 6, 457-467,2004.11.
3. Ueda, K., and Hirahara, T.,Frequency response of headphones measured in free field and diffuse field by loudness comparison,Journal of the Acoustical Society of Japan (E),vol. 12, no. 3, 131-138,1991.05.
4. Ueda, K., and Akagi, M.,Sharpness and amplitude envelopes of broadband noise,Journal of the Acoustical Society of America,vol. 87, no. 2, 814-819,1990.02.
5. Ueda, K., and Ohgushi, K.,Perceptual components of pitch: Spatial representation using a multidimensional scaling technique,Journal of the Acoustical Society of America,vol. 82, no. 4, 1193-1200,1987.10.
Presentations
1. A consistent clustering of power fluctuations in British English, French, German, and Japanese.
2. Critical-band-filter analyses of speech sentences: Common factors across Japanese, British English, French, and German..
3. A critical-band-filtered analysis of Japanese speech sentences.
4. Factor analyses of critical-band-filtered speech of British English and Japanese.
5. Principal component analyses of critical-band-filtered speech.
6. Critical-band-filter analysis of speech sentences: A case of British English.
7. English /r/ and /l/ identification by native and non-native listeners in noise: applying screening text, signal-to-noise ratio variation, and training.
Educational
Educational Activities
Psychology, Perceptual Psychology, Psychology of Hearing, Auditory Cognition, and Science of Audition and Vision. In addition, the Consortium of Auditory Research Laboratories in O'hashi has been holding Joint Seminars regularly, since 2001. The Consortium consists of Nakajima, Shiraishi, and Ueda Laboratories. All of the laboratory members attend the Joint Seminar. Special Lectures on a specific topic are occasionally included in the Seminar, and all the professors of these laboratories give some lectures.
Social
Professional and Outreach Activities
He has experienced managements in publishing and research meetings at the Acoustical Society of Japan and at the Japanese Society for Music Perception and Cognition.