| 1. |
ISHII Yuko, The Encounters Obscured: Pre-War Japanese Avant-Garde Artists and British Modern Art, Islands in the Global Age: Identification, Estrangement and Renewal in the East-West Dialogue, to be published, 2023.12. |
| 2. |
Surrealism and Étranger: A 1930s Representation of Stonehenge. |
| 3. |
ISHII Yuko, Exhibiting Surrealism: The Reception of Surrealism in Japan from a Viewpoint of the Gallery Space, Surrealisms 2019, the 2nd conference of the International Society for the Study of Surrealism (ISSS), 2019.08. |
| 4. |
Yuko Ishii, Michael Richardson, National Overviews; Japan, The International Encyclopedia of Surrealism, vol. 1., 83-92, 2019.04. |
| 5. |
Yuko Ishii, Surrealists A-Z; Shuzo Takiguchi, The International Encyclopedia of Surrealism, vol. 3., 301-305, 2019.04. |
| 6. |
Yuko Ishii, Galleries in Cork Street and the U.K. Reception of Surrealism in the 1930s, 第2回 九州大学女性研究者ダイバーシティシンポジウム, 予稿集, 11-11, 2019.03. |
| 7. |
The Road is Wider than Long: Galleries in Cork Street and Surrealism’s Reception in the United Kingdom during the 1930’s. |
| 8. |
Surrealism and Spectacle : Notes on Phantom/Spectre at the International Surrealist Exhibition in London. |
| 9. |
Discussion on the juxtaposition of mutually distant objects seen at the International Surrealist Exhibition in London (1936). |
| 10. |
The painting of 'contradiction' and 'evasion': the reception of Cubism by Andre Breton and Carl Einstein. |
