SCHWEIZER GEORG HEINRICH MAXIMILIAN EMANUEL LUDWIG
Organization
Faculty of Humanities Department of Philosophy Professor
School of Letters Department of Humanities（Joint Appointment）
Graduate School of Humanities Department of Philosophy（Joint Appointment）
Title
Professor
Contact information
Tel
0928025044
Profile
Schweizer is the author of Osaki Hachiman: Architecture, Materiality, and Samurai Power in Seventeenth Century Japan (Berlin, 2016) and co-editor of Japanische Lackkunst für Bayerns Fürsten: Die Japanischen Lackmöbel der Staatlichen Münzsammlung München (Munich, 2011). He presently works on two projects, one about courtesan culture in early modern Japan and the other on exchanges of material and visual cultures between East Asia, Europe, and the Americas in the age of the First Globalization.
Homepage
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https://www.imapkyudai.net/anton-schweizer
Kyushu University, IMAP, Faculty page
Degree
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Doctor Phil. (PhD) Heidelberg University 2010.
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Magister Artium (MA) LMU Munich 2002.
Research History
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Heidelberg University, Centre for East Asian Studies, Institute of East Asian Art History, Assistant Professor (2004-2012). New York University, Institute of Fine Arts, Andrew Mellon Postdoctoral Fellow (2012-2014). Tulane University, Art Department, Professor of Practice (2014-2017).
Research Interests・Research Keywords
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Research theme：Shared Coasts, Divided Historiographies: Mobilizing People, Ideas, and Artifacts in the East Asian Mediterranean
Keyword：First Global Age, Second Global Age, art, history, material culture
Research period： 2022.10 - 2025.8
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Research theme：co-editor with Mimi Hall Yiengpruksawan: Beyond the Southern Barbarians: Relocating Japan in the First Global Age (working title). Under contract with Brill, Amsterdam.
Keyword：First Global Age, art, history, material culture, nanban art
Research period： 2022.1 - 2024.12
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Research theme：Japanese textile appliqués in Schloss Rastatt (Germany)
Keyword：First Global Age, art, history, material culture
Research period： 2020.1 - 2024.8
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Research theme：Architecture and Material Culture of Easily Modern Pleasure Districts in Japan
Keyword：Art history; architectural history, material culture, othering, social identity construction.
Research period： 2019.10 - 2024.10
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Research theme：Material Cultures of the First Global Age.
Keyword：Art history; material culture; transcultural exchange; export art; social identity construction.
Research period： 2018.5 - 2023.5
Papers
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“Puppets for the Margravine: Japanese Ephemera and their (Re)Construction in Eighteenth-Century Chinoiserie.” Reviewed International journal
2 ( 1 ) 3 - 46 2021.4
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“Nanban Lacquer: Global Styles and Materials in a Japanese Cabinet.” Invited Reviewed International journal
2024.2
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Bridges into Metaphorical Space: Hideyoshi’s Imperial Landscapes at Osaka. Invited Reviewed International journal
2023.4
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“The Elector’s Japan: Reading Export Lacquer in Baroque Germany.” Invited Reviewed International journal
2018.6
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“Kōgeihin toshite no kenzōbutsu: Toyotomi-ki Ōsaka-jō no sōshoku ni kan suru kōsatsu” 工芸品としての建造物：豊臣期大阪城の装飾に関する考察 [Buildings as crafted objects: Some thoughts on the decoration of Osaka Castle during the Toyotomi era]. Invited Reviewed International journal
Shūbi 聚美 11 (April, 2014) 68 - 79 2014.4
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co-authored with Avinoam Shalem: “Translating Visions: A Japanese Lacquer Plaque of the Haram of Mecca in the L. A. Mayer Memorial Museum, Jerusalem.” Ars Orientalis 39 (2010), pp. 148-173. Invited Reviewed International journal
2010.11
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“Das unbeständige Original: Zur denkmalpflegerischen Problematik lackierter japanischer Architektur” [The changeable original: on the problem of conserving Japanese lacquered architecture]. Invited Reviewed International journal
28 - 37 2010.9
Books
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Anton Schweizer
Anton Schweizer（ Role： Sole author）
Berlin, Germany 2016.6
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Anton Schweizer
Anton Schweizer, co-edited with Martin Hirsch and Dietrich O. A. Klose（ Role： Joint author）
Munich, Germany 2011.11
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Anton Schweizer
Anton Schweizer（ Role： Sole author）
Neuried, Germany 2002.5
Presentations
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“Spektakel und Machtdemonstration: Das Toyokuni Fest von 1604 als politische Propaganda.” Invited International conference
Ludwig-Maximilians-Universität München 2024.2
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“Daibutsuden / Hōkoku Jinja: A Meiji Period Site of Hideyoshi Revivalism.” Invited International conference
Marcin Tatarczuk (Kyoto U), Greg De St. Maurice (Keio U), Andrew Elliott (Doshisha Women’s College), Takagi Hiroshi (Kyoto U), Saito Aoi (Northwestern U), Anton Schweizer (Kyushu U.)
Workshop Kyoto’s Imperial Modernity 2022.12
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“Material and Subject in Momoyama and Early Edo period Sword Mountings.” Invited International conference
2022.12
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“Nihon no busshitsu bunka ni okeru chansu imēji to ‘keshiki’ no gainen—seiyō riron no shiten kara” 日本の物質文化におけるチャンス・イメージと「景色」の概念―西洋理論の視点から―. Invited
井手誠之輔 平井章一（関西大学） 河本真理 松原知生 Anton Schweizer
Japanese Art History Association (Bijutsushi Gakkai 美術史学会) 2023.5
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“Tanzen für Hideyoshi: Das Toyokuni-Fest von 1604 als politische Propaganda.” Invited International conference
Österreichische Akademie der Wissenschaften 2023.6
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“Die japanischen Textilappliken im Schlafzimmer des Erbprinzen Ludwig Georg: Kontext und Bedeutung.” Invited International conference
Ulrike Grimm (Oberkonservatorin a. D., Karlsruhe) Anton Schweizer (Kyushu University, Japan) Kristel Smentek (MIT, Cambridge, Massachusetts) Christian Katschmanowski (SSG) Ulrike Seeger (Universität Stuttgart / Ludwig-Maximilians-Universität München) Filip Suchomel (Regional Gallery, Liberec / UMPRUM, Prague) Errol Manners (E & H Manners Ltd., London) Stephan Graf von der Schulenburg (Museum für Angewandte Kunst, Frankfurt) Maureen Cassidy-Geiger (Independent Scholar and Curator, New York) Petra Pechaček (SSG) Hertha Schwarz (Freie Historikerin, München) Birgitt Borkopp-Restle (Universität Bern) Käthe Klappenbach (Kustodin a. D., SPSG, Potsdam) Sandra Eberle (SSG) Katharina Hantschmann (Bayerisches Nationalmuseum München) Jacques Bastian (Antiquités Bastian, Straßburg)
Staatliche Schlösser und Gärten Baden-Württemberg 2023.9
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“Dance of the Foreigners: Revisiting Kanō Naizen’s Toyokuni Festival Screens.” Invited International conference
2023.10
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“Frauen als Sehenswürdigkeiten: Ort und Architektur als Bedeutungsträger in einer Holzschnittserie von Utagawa Kunisada” Invited International conference
Forum Ostasiatische Kunstgeschichte, Freie Universität Berlin (Berlin, Germany) 2021.8
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Nanban Art as a Global Event Invited International conference
Anton Schweizer, Jessica Rawson
2022.5
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“Shaping a Deity: Architectural Form at the Toyokuni Shrine in Kyoto.” International conference
2019.11
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“Shaping a Deity: Cult, Politics, and Architecture at the Toyokuni Shrine in Kyoto.” Invited International conference
2020.5
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“Keichō shisetsu to Azuchijō zu byōbu no nazo” 慶長使節と安土城図屏風の謎 [The Keichō mission and the mystery of the Azuchi castle screens]. Invited International conference
4th Symposium of the Azuchi Castle Screens Research Project / 安土城図屏風安土城図屏風探索プロジェクト第四回シンポジウム (Azuchi-chō, Japan). 2019.6
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2019/04/21 “Kyōto kara Rasutatto e: Genroku no oshie-bina no saihakken” 京都からラスタットへ：元禄の押絵雛の再発見 [From Kyoto to Rastatt: The rediscovery of Genroku era textile puppets]. Invited
2020.5
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「京都からラスタットへ:元禄の押絵雛の再発見」 Invited
西日本日独協会 2019.4
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“Othering the Samurai: Exotic Materials on Japanese Campaign Coats.” Invited International conference
2019.2
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“Conserving Impermanence: Transcultural Approaches to Architectural Lacquering.” Invited International conference
2018.9
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“Clad in Otherness: Imported Materials on Japanese Campaign Coats.” Invited International conference
2018.8
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「京都からドイツまで:元禄の押絵雛の再発見」 Inaugural lecture, School of Humanities, Kyushu University (Fukuoka, Japan). Invited
2018.5
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“Dressed to Kill: Momoyama Military Equipment.” Invited International conference
2018.4
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“Puppets for the Margravine: Rediscovering Japanese Ephemera of the Seventeenth Century.” Invited International conference
2018.2
MISC
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“Spectacular Buildings: Sendai's Legacy of Architecture and Art” Reviewed
2020.5
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“‘Repair by Disassembly’ (kaitai shūri) in Japan” = Nihon ni okeru kaitai shūri 日本における解体修理. In: K. Weiler & N. Gutschow (eds.): Authenticity in Architectural Heritage Conservation: Discourses, Opinions, Experiences in Europe, South and East Asia.
Fukuda, Miho 福田美穗 (author), Anton Schweizer (translator)
2016.5
Professional Memberships
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Japan Art History Forum JAHF
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Association for Asian Studies AAS
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College Art Association CAA
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Japanese art history association
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European Association for Japanese Studies EAJS
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European Association for Asian Art and Archaeology EAAA
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Japanese Art Society of America JASA
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Japanese German Association of West Japan
Academic Activities
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Co-organizer, presenter
（ Kyushu University Japan ） 2023.5
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Journal of Asian Humanities at Kyushu University JAHQ International contribution
2023.4 - 2024.3
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Journal of Asian Humanities at Kyushu University JAHQ International contribution
2022.4 - 2023.3
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Co-organizer, co-host, session and panel moderator International contribution
Transcultural Exchanges: Mapping Movement of Art, Ideas, and People in Japan and beyond （ Kyushu University Japan ） 2022.2
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Organizer and host
Roundtable Discussion "Career Paths for University Graduates" （ Online Japan ） 2021.5
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Co-organizer International contribution
Five-day Online Symposium "Beyond the Southern Barbarians: Repositioning Japan in the First Global Age", Kyushu University & Yale University. （ Online Japan ） 2021.2
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Co-organizer International contribution
Symposium "The Many Shapes of Meaning: Object and Performance in Asia" （ Kyushu University, Fukuoka Japan ） 2019.12
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Organizer International contribution
Workshop "Substance and Symbol in Japanese Architecture" （ Kyushu University Japan ） 2019.11
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Panel chair, “Materials, Makers, and Commissions: Moving Objects between Asia, Europe, and the Americas during the Early Modern Globalization” International contribution
College Art Association (アメリカ美術史学会) 2018.2
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Journal of Asian Humanities at Kyushu University JAHQ International contribution
2018.2 - 2019.4
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Discussant for the panel “Ruling Momoyama Arts: Implications of Authority in Visualized Forms of Cultural Exchange.” International contribution
2017.8 - 2018.5
Research Projects
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This project brings together the next generation of art historians from the “East Asian Mediterranean”—centering around Kyushu, Okinawa, Taiwan, and South Korea. The project members will jointly explore exchanges of people, ideas, and artifacts in this geographical region during two historical periods, the First (1500–1850) and Second (1850–1945) Global Ages, respectively. We will revisit a history of continuous interaction, exchange, and transculturation in the fields of visual and material culture.
Grant number：Shared Coasts, Divided Historiographies: Mobilizing People, Ideas, and Artifacts in the East Asian Mediterranean 2023 - 2025
科学研究費助成事業 Getty Connecting Art Histories
Authorship：Principal investigator Grant type：Competitive funding other than Grants-in-Aid for Scientific Research
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Shared Coasts, Divided Historiographies Mobilizing People, Ideas, and Artifacts in the East Asian Mediterranean International coauthorship
2022.10 - 2025.8
Getty Foundation
Authorship：Principal investigator
This project aims at bringing together the next generation of art historians from the “East Asian Mediterranean”—here conceived as a geographic, historical, and cultural space of connections centering around the regions of Kyushu, Okinawa, Taiwan, and South Korea. We will explore exchanges of people, ideas, and artifacts in this geographical region during two historical periods, the First (1500–1850) and Second (1850–1945) Global Ages, respectively. We will revisit a history of continuous interaction, exchange, and transculturation in the fields of art, historiography, visual and material culture.
The project will bring together about 15 junior academics, primarily affiliated with an institution in or researching a topic related to East Asia, for a period of two-years, beginning in the fall of 2023. We will hold a series of lectures and reading workshops, embark on two travel seminars in the region of the “East Asian Mediterranean,” and build a digital mapping platform. -
Transcultural Exchanges: Mapping Movement of Art, Ideas, and People in Asia International coauthorship
2022.2
Japan, Taiwan, Korea, Germany, China, USA
Authorship：Principal investigator
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Implementation of digital humanities structures, hardware, and database applications for research and teaching
2022 - 2024
Funding for developing Digital Humanities
Authorship：Principal investigator Grant type：On-campus funds, funds, etc.
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Beyond the Southern Barbarians: Repositioning Japan in the First Global Age
2020 - 2021
Program for Creating University Ventures (Ministry of Education, Culture, Sports, Science and Technology)
Authorship：Principal investigator Grant type：Contract research
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Beyond the Southern Barbarians: Repositioning Japan in the First Global Age International coauthorship
2019.9 - 2022.3
Yale University, Council on East Asian Studies; Kyushu University Faculty of Humanities; Kyushu University Asia Oceania Cluster
Authorship：Principal investigator
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Competitive grant issued by Kyushu University for preparing and conducting a major international symposium “Beyond the Southern Barbarians: Relocating Japan in the First Global Age.”
2019 - 2021
Authorship：Principal investigator Grant type：On-campus funds, funds, etc.
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Travel grant for participation in the Annual Conference of the College Art Association (New York, USA).
2019
Kyushu University Research Activity Support Program.
Authorship：Principal investigator Grant type：On-campus funds, funds, etc.
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1550~1650年の日本における外来要素 International coauthorship
2018.8 - 2020.3
Authorship：Principal investigator
The core question to the proposed project is: How did Japan’s encounter with foreign materials and manufacturing technologies during the sixteenth and seventeenth centuries change the way art and architecture were made and appreciated? This research and workshop collaboration with top scholars in the fields of art history and material culture will secure a strong basis for a larger, international research venture that investigates in ground-breaking ways through international workshops and future publications Japan’s changing array of imported and domestic visual, creative, and artistic materials (“material culture”) during the so-called “First Global Age.” Three case studies—castle walls; feathers on military attire; painted depictions of “Japanese as foreigners”—provide a unique foundation for an open-access worldwide web-based “QMC” databank, the first of its kind.
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The Azuchi Castle Screens Research Project International coauthorship
2018.6 - 2022.5
Sugimoto Studio
Authorship：Collaborating Investigator(s) (not designated on Grant-in-Aid)
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The Many Shapes of Meaning: Object and Performance in Asia Across Time International coauthorship
2018.5 - 2020.5
Research Hub for the Humanities, Social Sciences, and Interdisciplinary Studies, Kyushu University (RINK)
Authorship：Coinvestigator(s)
This interdisciplinary research-hub project explores the circulation of material objects and performance cultures throughout Asia. Material objects and structures will include buildings, statues, paintings, and crafts; performance cultures will include theatrical genres, musical styles, and embodied practices in a variety of spatial and temporal contexts. We will bring together top researchers from around the world with different academic backgrounds, including art historians, literary scholars, musicologists, performance studies scholars, ritual practitioners, and historians. As an English-language graduate program comprised of five non-Japanese but Japanese-fluent faculty members researching in Japan fields, we IMAP and IDOC faculty (International MA Program in Japanese Humanities, International Doctorate in Japanese Humanities) will strive to pair our knowledge with that of Japanese and non-Japanese colleagues within Kyudai and globally. The project will encourage a holistic rethinking of Asian humanities, resulting in the formulation of new research trajectories and related publications that move beyond national and disciplinary borders. It will introduce Japanese and non-Japanese Kyudai faculty to a global audience.
In the first year we will build a research network through the following endeavors:
• Host two international pre-conferences at two venues, National University of Singapore and Kyudai. Top researchers from Japan, Korea, China, Singapore, Europe, and the US will be invited to present papers. A balance of emerging younger voices in each field and established senior scholars will be achieved.
• Collect and edit the most suitable papers from the two pre-conferences to be published in a special issue of The Journal of Asian Humanities at Kyushu University (JAH-Q), a peer-reviewed (査読) English-language international journal of the Faculty of Humanities.
In the second year we will hold a major international symposium in September 2019. As with the pre-conferences, several papers will be published in JAH-Q. Additionally, we will collect a group of thematically coherent papers for an essays volume to be published by an international publisher. -
1550~1650年の日本における外来要素
2018 - 2020
科学研究費補助金 (文部科学省）
Authorship：Principal investigator Grant type：Contract research
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The Many Shapes of Meaning: Object and Performance in Asia Across Time
2018 - 2020
Program for Creating University Ventures (Ministry of Education, Culture, Sports, Science and Technology)
Authorship：Coinvestigator(s) Grant type：Contract research
Educational Activities
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Undergraduate and graduate teaching, supervising. All courses offered are taught in English. The courses focus on art and architectural history, material, and visual cultures in Japan. The principal period is late Medieval to Early Modern (Muromachi to late Edo) with occasional examples from the prehistorical through contemporary periods. Select seminar titles: "Drama, Sex, and Poetry: Ukiyoe," "Architecture and Urbanism in Japan," "Samurai as Patrons of Art," "Making Sense: Iconography, Facture, and Materiality in the Arts of Japan."
Class subject
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Introduction to Japanese Studies
2023.10 - 2024.3 Second semester
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Japan: A survey of Art and Visual Culture
2023.10 - 2024.3 Second semester
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Reading Group
2023.10 - 2024.3 Second semester
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Japanese Humanities in Situ
2023.4 - 2024.3 Full year
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Master Thesis Guidance
2023.4 - 2024.3 Full year
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Research and Professional Development
2023.4 - 2023.9 First semester
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Research and Professional Development
2023.4 - 2023.9 First semester
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Architecture and Spatial Experience in Premodern Japan
2023.4 - 2023.9 First semester
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Japanese Humanities in Situ
2023.4 - 2023.9 First semester
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Reading Group
2023.4 - 2023.9 First semester
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Architectural space
2023.4 - 2023.9 First semester
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Research and Professional Development
2022.10 - 2023.3 Second semester
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Reading Group in Art Theory
2022.10 - 2023.3 Second semester
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Making sense
2022.10 - 2023.3 Second semester
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Edo Period Art—Visual and Material Cultures of Japan’s Early Modernity
2022.10 - 2023.3 Second semester
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Research Readings and Methods
2022.4 - 2022.9 First semester
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Japanese Humanities in Situ
2022.4 - 2022.9 First semester
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Drama, Sex, and Poetry: Japanese Woodblock Prints
2022.4 - 2022.9 First semester
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Theory and Method in Art History
2021.10 - 2022.3 Second semester
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Thesis Guidance
2021.10 - 2022.3 Second semester
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Thesis Guidance
2021.10 - 2022.3 Second semester
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Art Production during the Momoyama Period
2021.10 - 2022.3 Second semester
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Survey Japanese Art and Visual Cultures
2021.10 - 2022.3 Second semester
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Research Readings and Methods
2021.10 - 2022.3 Second semester
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Day excursions to Dazaifu, Taku
2021.4 - 2022.3 Full year
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Japanese Humanities in Situ
2021.4 - 2021.9 First semester
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Thesis Guidance
2021.4 - 2021.9 First semester
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Introduction to Japanese Studies (JICA)
2021.4 - 2021.9 First semester
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Object, Place, and Space
2021.4 - 2021.9 First semester
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Reading Group in art theory
2021.4 - 2021.9 First semester
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Thesis Guidance
2021.4 - 2021.9 First semester
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Research and Professional Development
2021.4 - 2021.9 First semester
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Day excursions to Dazaifu, Fukuoka
2021.4 - 2021.9 First semester
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Japanese Humanities in Situ
2021.4 - 2021.9 First semester
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Individual Studies with graduating students
2021.4 - 2021.9 First semester
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Making Sense: Iconography, Facture, and Context in Japanese Art
2021.4 - 2021.9 First semester
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International Humanities V (Art and Visual Culture I)
2021.4 - 2021.9 First semester
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Reading Group for Art Majors
2020.10 - 2021.3 Second semester
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Introduction to International Humanities VI
2020.10 - 2021.3 Second semester
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Artistic Production during the Momoyama Period
2020.10 - 2021.3 Second semester
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International Humanities VI (Art and Visual Culture II)
2020.10 - 2021.3 Second semester
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Master Thesis Guidance
2020.10 - 2021.3 Second semester
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Day excursions to Dazaifu, Fukuoka, Saga, Nagasaki
2020.4 - 2021.3 Full year
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Reading Group for Art Majors
2020.4 - 2020.9 First semester
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Introduction to Japanese Studies (JICA)
2020.4 - 2020.9 First semester
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Thesis Guidance
2020.4 - 2020.9 First semester
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Reading Group in art theory
2020.4 - 2020.9 First semester
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Introduction to International Humanities V
2020.4 - 2020.9 First semester
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Making Sense in Japanese Art
2020.4 - 2020.9 First semester
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Master Thesis Guidance
2020.4 - 2020.9 First semester
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Japanese Humanities in Situ
2019.10 - 2020.3 Second semester
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Architecture and Urbanism
2019.10 - 2020.3 Second semester
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Art Survey
2019.10 - 2020.3 Second semester
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Research Readings and Methods
2019.10 - 2020.3 Second semester
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Japan: A survey of Art and Visual Culture
2019.10 - 2020.3 Second semester
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Power Art and Urbanism in Japan
2019.10 - 2020.3 Second semester
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JICA: Introduction to Japanese Studies (co-taught)
2019.10 - 2020.3 Second semester
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Day excursions to Dazaifu, Fukuoka, Karatsu, Oita, Yamaguchi
2019.4 - 2020.3 Full year
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Reading Group for Art Majors
2019.4 - 2019.9 First semester
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Research, Readings, Methods
2019.4 - 2019.9 First semester
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Samurai as Patrons of Art
2019.4 - 2019.9 First semester
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Research Readings and Methods
2019.4 - 2019.9 First semester
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Topics in Japanese Art and Architecture III
2019.4 - 2019.9 First semester
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Undergraduate Lecture Edo-Period Material Culture
2018.10 - 2019.3 Second semester
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Thesis Guidance
2018.10 - 2019.3 Second semester
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Drama, Sex, and Poetry: Ukiyo-e
2018.10 - 2019.3 Second semester
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Day excursions to Dazaifu, Fukuoka, Onta
2018.4 - 2019.3 Full year
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Topics in Japanese art and architectural history
2018.4 - 2018.9 First semester
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Fieldwork Week (Kumano)
2018.4 - 2018.9 First semester
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Reading Group in art theory
2018.4 - 2018.9 First semester
FD Participation
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2024.3 Role：Moderator Title：2023年度からの新開講 人文学・人文学セミナー・アカデミックプレゼンテーション・データサイエンス基礎に関するＦＤ
Organizer：[Undergraduate school/graduate school/graduate faculty]
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2023.6 Role：Planning Title：Reviewing the student questionnaires 2022 and 2023 (first term)
Organizer：[Undergraduate school/graduate school/graduate faculty]
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2022.3 Role：Speech Title：人文院FD「令和４年度Xプログラムの報告と今後の展望」
Organizer：[Undergraduate school/graduate school/graduate faculty]
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2021.5 Role：Participation Title：４回Q-AOS Brown Bag Seminar Series
Organizer：University-wide
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2021.3 Role：Speech Title：オンラインシンポジウ : 学術的国際化のツール
Organizer：[Undergraduate school/graduate school/graduate faculty]
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2020.12 Role：Participation Title：Create a Future Vision for Kyushu University
Organizer：[Undergraduate school/graduate school/graduate faculty]
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2018.5 Role：Speech Title：Inaugural lecture: 京都からドイツまで：元禄押絵雛の再発見
Organizer：[Undergraduate school/graduate school/graduate faculty]
Other educational activity and Special note
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2022 Coaching of Students' Association
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2018 Coaching of Students' Association
Outline of Social Contribution and International Cooperation activities
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Involvement in community politics and promotion of academic activities.
Advertising for Kyushu University and the IMAP program as well as joint research at universities in the US (NYU, Columbia, Yale, UCLA), Germany (Heidelberg, Berlin, Munich), Austria (Vienna, Salzburg), UK (Glasgow, Edinburgh, London), Australia (Melbourne).
Activities contributing to policy formation, academic promotion, etc.
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2016.8 - 2017.6
Two class visits in the Scholar’s Program of Holy Cross High School, New Orleans, academic year 2016-2017
Travel Abroad
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2022.10
Staying countory name 1：Germany Staying institution name 1：Munich Bayerische Staatsbibliothek and Museum Fünf Kontinente
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2022.3
Staying countory name 1：United States Staying institution name 1：New York University, New York City
Staying institution name 2：Columbia University, New York City
Staying institution name 3：Metropolitan Museum of Art, New York City
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2019.10
Staying countory name 1：Germany Staying institution name 1：Heidelberg University
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2019.2 - 2019.6
Staying countory name 1：United States Staying institution name 1：Columbia University, Institute for Medieval Japanese Studies
Staying institution name 2：New York University, Institute of Fine Arts
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2018.7
Staying countory name 1：United Kingdom Staying institution name 1：Sainsbury Institute for Japanese Art and Culture
Staying countory name 2：Germany Staying institution name 2：University of East Anglia
Staying institution name 3：Freie Universitaet Berlin