記述言語：英語   掲載種別：研究論文（学術雑誌）  

DOI： https://doi.org/10.1162/leon_a_01881

記述言語：英語   掲載種別：研究論文（学術雑誌）  

記述言語：その他   掲載種別：研究論文（学術雑誌）  

記述言語：英語   掲載種別：研究論文（学術雑誌）  

記述言語：日本語   掲載種別：研究論文（学術雑誌）  

This paper addresses the following observation: in Japan, in the East, as much as in the West, there is one same divide, the one separating art from science – or more broadly – separating the humanities from the modern sciences. My argument is, on the one hand, that to analyze this divide constitutes one way of solving some of the challenges of the 21st century - one of which relating to national identities. On the other hand, and most importantly, I wish to demonstrate that, in spite of the divide, the two disciplines, as much as the East and the West, have more in common than commonly assumed and that this divide, even if profound, is not so radical.

担当ページ：480 pages   記述言語：英語   著書種別：学術書

その他リンク： https://mitpress.mit.edu/books/invisible-colors

担当ページ：Volume 2, 2022, Pages 200-209   記述言語：英語   著書種別：学術書

DOI： https://dx.doi.org/10.1016/B978-0-12-820195-4.00269-7

その他リンク： https://www.sciencedirect.com/referencework/9780128203125/encyclopedia-of-violence-peace-and-conflict

記述言語：英語   著書種別：学術書

その他リンク： http://www.intechopen.com/books/global-warming-impacts-and-future-perspective/the-issue-of-global-warming-due-to-the-modern-misuse-of-techno-scientific-applications

開催年月日： 2021年1月 - 2021年7月

記述言語：英語   会議種別：口頭発表（一般）  

国名：日本国  

その他リンク： https://sites.google.com/site/2011eapca/schedule

記述言語：英語  

その他リンク： https://thereader.mitpress.mit.edu/the-dark-radiance-of-atomic-bomb-literature/

記述言語：英語   掲載種別：記事・総説・解説・論説等（学術雑誌）  

From October 6, 2018, to January 20, 2019, the exhibition Catastrophe and the Power of Art was on view at the Mori Art Museum in Tokyo. The exhibition, curated by Kondo Kenichi, was notable for the choice of topic and the display of relevant pieces created by international artists. Moreover, it coincided with the fifteenth anniversary of the museum. Museum director Nanjo Fumio explained that while the tenth anniversary was dedicated to universal themes such as “happiness” and “love,” catastrophe became central for the fifteenth anniversary “given the disasters and tragedies that seem to be a constant presence today.”

DOI： 10.1525/aft.2019.463003

その他リンク： https://afterimage.ucpress.edu/content/46/3/15.full.pdf+html

記述言語：英語   掲載種別：機関テクニカルレポート，技術報告書，プレプリント等  

DOI： 10.1525/aft.2016.44.3.6

その他リンク： https://afterimage.ucpress.edu/content/44/3/6

記述言語：英語   掲載種別：記事・総説・解説・論説等（学術雑誌）  

DOI： 10.1525/aft.2013.40.6.6

その他リンク： https://afterimage.ucpress.edu/content/40/6/6

種別：査読等 

外国語雑誌　査読論文数：1

種別：査読等 

外国語雑誌　査読論文数：1

種別：査読等 

外国語雑誌　査読論文数：1

The Summit was the inaugural event of a five-year national flagship program, Art Platform Japan, initiated by the Agency for Cultural Affairs (Bunka-cho) and implemented by the National Art Center, Tokyo. The aim of the program is to further the production, dissemination, and reception of Japanese contemporary art in a global context, and to promote the introduction of global trends in contemporary art to broad audiences both within and beyond Japan. Bringing together leading practitioners in the field of contemporary art for a three-day workshop in Tokyo, the Summit addressed themes that are of pressing concern in Japan, but also resonate with conversations happening abroad.

The international fellowship allowed me to work in the curatorial departments of the Guggenheim Museums in New York, Bilbao and Venice.

21st Century Program Tutorials

21st Century Program Tutorials

21st Century Program Tutorials

21st Century Program Tutorials

対象： 社会人・一般,　学術団体,　企業,　市民団体,　行政機関

種別：講演会

https://nau.edu/ccs/public-lecture-art-in-the-atomic-age-with-curators-gabrielle-decamous-and-shawn-skabelund-on-nov-2-2023/

対象： 社会人・一般,　学術団体,　企業,　市民団体,　行政機関

種別：講演会

対象： 社会人・一般,　学術団体,　企業,　市民団体,　行政機関

種別：講演会

The nuclear age left deeply radioactive wounds that are still detectable today. The Atomic Art session will focus on two parts of the world: Polynesia and the Navajo Nation. The impact of French nuclear tests in Polynesia continues to this day, and the same can be said of uranium mining for the Manhattan Project in the US. These lands, the life and memory of the people connected to them, are still radioactive. Two speakers will examine the ways some contemporary artists engage with and represent these nuclear wounds. 核時代は、今日においても未だにはっきりと確認できるほどの深い傷跡—放射能に起因するもの—を残しました。本セッションは、ポリネシアとナバホネイションという２つの地域に注目します。フランスによる核実験、およびアメリカのマンハッタン・プロジェクトによるウラン採掘がポリネシアに与えた影響は今日に至っても続いています。そこに住む人々の生や記憶と結びついたこれらの土地は、今日に至っても放射能の影響下にあります。本セッションでは２名の講演者をお招きし、これらの土地を巡る「核の傷」が、現代芸術において如何に表象されているかについてのお話を伺います。

Speakers: Anaïs Maurer(Assistant Professor of French and Comparative Literature at Rutgers University, and Faculty Associate at Columbia University’s Center for Nuclear Studies) and Shawn Skabelund (Artist, Arizona)
Organization: Gabrielle Decamous

対象： 社会人・一般,　学術団体,　企業,　市民団体,　行政機関

種別：講演会

対象： 社会人・一般,　学術団体,　企業,　市民団体,　行政機関

種別：講演会

This was a public book talk about my research for my book Invisible Colors, The Arts of the Atomic Age (MIT 2019).

Book review on my book "Invisible Colors, The Arts of the Atomic Age" (MIT Press, 2019).
https://hyperallergic.com/516510/invisible-colors-review/

Book review of my book "Invisible Colors, The Arts of the Atomic Age" (MIT Press, 2019)

Online interview for MIT Press's Book Club Series
https://www.youtube.com/watch?v=pSnbl66FYHs

Book review and announcement of my book "Invisible Colors, The Arts of the Atomic Age" (MIT Press, 2019).
https://atomicphotographers.com/2019/03/21/invisible-colors-the-arts-of-the-atomic-age-by-gabrielle-decamous/

The article is a detailed book review on my book: "Invisible Colors, The Arts of the Atomic Age" (MIT Press, 2019).
https://we-make-money-not-art.com/invisible-colors-the-arts-of-the-atomic-age/