Kyushu University Academic Staff Educational and Research Activities Database
Search by Keyword How ro search
Keyword
Search Criteria
 
Detailed Search

Researcher information (To researchers) Need Help? How to update
Kyoko Nakamura Last modified date：2022.06.21

Assistant Professor / Department of Design Futures
Faculty of Design


Graduate School
Design Futures Course
Graduate School of Design
Undergraduate School
Department of Design
School of Design
Department of Design
School of Design


E-Mail　*Since the e-mail address is not displayed in Internet Explorer, please use another web browser:Google Chrome, safari.
Homepage
https://kyushu-u.pure.elsevier.com/en/persons/kyoko-nakamura
　Reseacher Profiling Tool　Kyushu University Pure
http://www.kyokonakamura.jp/
Academic Degree
Doctor of Philosophy
Field of Specialization
Japanese Painting, Foundations of Arts
ORCID(Open Researcher and Contributor ID)
0000-0003-3225-1384
Outline Activities
Research on issues related to creativity based on the own artworks in Japanese painting
Research
Research Interests
  • Spatial Concept of "Kakiwari" in Japanese Painting
    keyword : Japanese Painting, Kakiwari, De-creation, Art coefficient, Outside
    2018.12～2023.03.
Academic Activities
Books
 Show All Books >>
Papers
 Show All Papers >>
1. Kyoko Nakamura, De-Creation in Japanese Painting: Materialization of Thoroughly Passive Attitude, Philosophies, 10.3390/philosophies6020035, 6, 2, 35-35, 2021.04, This paper demonstrates the method and meaning behind the argument that contemporary philosophers have found the key to “de-creation” in potentiality by implementing it in artwork. While creation in the usual sense seems to imply an active attitude, de-creation implies a passive attitude of simply waiting for something from the outside by constructing a mechanism to set up the gap to which something outside comes. The methods of de-creation are typically found in representations of reality using “Kakiwari,” which is commonly observed in Japanese art. Kakiwari was originally a stage background and has no reverse side; that is, there is no other side to the space. Mountains in distant views are frequently painted like a flat board as if they were Kakiwari. It shows the outside that is imperceptible, deviating from the perspective of vision. The audience can wait for the outside without doing anything (“prefer not to do”) in front of Kakiwari. It is the potentiality of art and it realizes de-creation. This paper extends the concept of de-creation by presenting concrete images and methods used in the author’s own works that utilized Kakiwari. This orients to the philosophy of the creative act by the artist herself..
Works, Software and Database
1. .
Presentations
 Show All Presentations >>
Educational
Educational Activities
To explore issues related to creativity through own practice and theory


Unauthorized reprint of the contents of this database is prohibited.

Copyright © 2006, Kyushu University. All rights reserved.