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Hidetoshi Higashi Last modified date：2023.11.01

Professor / Department of International Society and Culture
Department of Cultural Studies
Faculty of Social and Cultural Studies


Graduate School
Department of Integrated Sciences for Global Society
Graduate School of Integrated Sciences for Global Society
Department of International Society and Culture
Graduate School of Social and Cultural Studies


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Homepage
https://kyushu-u.elsevierpure.com/en/persons/hidetoshi-higashi
　Reseacher Profiling Tool　Kyushu University Pure
Academic Degree
Doctor
Country of degree conferring institution (Overseas)
No
Field of Specialization
Chinese literature
Total Priod of education and research career in the foreign country
00years08months
Research
Research Interests
  • A Comprehensive Study of Song Dynasty Letters
    keyword : Song dynasty letter
    2022.04～2027.03.
  • The research on 96 newly discovered leteers by Ouyang xiu
    keyword : Ouyang xiu
    2010.06～2026.03.
  • A comprehensive study of Ouyang Xius studies
    keyword : Ouyang Xius
    1985.08～2026.03.
  • A comprehensive study of The eight great writers writing characterisitics in Tang and Song Dynasties and its acceptance
    keyword : Ou yang Xiu
    2018.04～2022.03.
  • Comprehensive research in relation to the compilation and transmission of a person of cultural importance from the Song dynastys anthoiogy
    keyword : Song dynasty ,Ouyang xiu
    2014.04～2018.03.
  • The Newly Found Ouyang Xiu’s 96 Letters
    keyword : Ouyang Xiu, New Found 96 Letters, Zhou Bida
    2011.04～2018.03.
  • Deployment and stylistics research of the Southern Song prose
    keyword : Southern Song 、Ｇｕｗｅｎ（prose）
    2010.04～2014.03.
  • Stylistics Research on the Practical Use Side of the Ancient Writing of the Tang and Song Age
    keyword : Ou-yang Xiu, the Tang and Song age, the ancient writing, Xu ci, the stylistical special feature
    2004.04～2007.03.
Academic Activities
Reports
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1. Stylistics Research on the Practical Use Side of the Ancient Writing of the Tang and Song Age.
2. For the 500TH Anniversary of Keian.
Papers
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1. From the use of function words to investigate the characteristics of Zeng Gong’s ancient Chinese prose ——Comparison with Ouyang Xiu's literary style

Abstract
So far, there are few researches on the characteristics of Zeng Gong's articles. Therefore, the purpose of this paper is to give specific explanations on the characteristics of Zeng Gong's articles.
Zeng Gong's articles are often described as "feminine". Tracing back to its source, In the Qing dynasty Yao Nai compared Zeng Gong's articles with Ouyang Xiu's and described them as "feminine". Therefore, there must be some similarities between Zeng Gong's article and Ouyang Xiu's. Therefore, when examining the characteristics of Zeng Gong's articles, it is crucial to examine the similarities between Zeng Gong's articles and Ouyang Xiu's articles.
This paper points out that the similarities between Zeng Gong's and Ouyang Xiu's articles are exactly the use of function words in their articles. Since function words are not directly related to context, it can be said that, to some extent, the author's personality can be seen from the use of function words. Through the investigation in this paper, it is proved that Zeng Gong's use of function words is very similar to Ouyang Xiu's.That is to say, Zeng Gong and Ouyang Xiu's use of function words is similar to each other, so both of their articles have been called "feminine".The reason why Zeng Gong's articles are similar to Ouyang Xiu's is that when he was young, Zeng Gong began to read Ouyang Xiu's articles so well that he could recite almost every one of them. Zeng Gong unconsciously learned how to use Ouyang Xiu's function words and applied them to his creation.

Keywords：Zeng Gong，Ouyang Xiu，Han Yu, ancient Chinese prose, "feminine", function words, Non-express words, correlation coefficient
.
2. The controversy between Zhu Bia and Zhu Xi over Fan Zhongyan’s Fan gong shendao bei ming as illustrated in the newly discovered letters by Ouyang Xiu.

Without permission, Fan Chunren, Fan Zhongyan’s son, removed a part of the inscription from Fan gong shendao bei ming, which was created for Fan Zhongyan by Ouyang Xiu. Later, Zhu Bia and Zhu Xi had a heated disagreement over this incident.
In the course of their disagreement, they referred to certain letters from among the 96 newly discovered letters by Ouyang Xiu that I had reported on in 2011.
At first, when the letters Zhang Xu tie and Su Ming tie were mentioned, I was still unaware. Recent study, however, has established that these were the newly discovered letter nos. 57, 85, and 86.
.
3. The Newly Found Ouyang Xius 96 Letters.
4. On the Stylistic Feature of Wu Dai Shi Ji Written by Ou-yang Xiu from the Perspective of the Usage of Function Words.
5. Stylistic features of the historical texts of Ou-yang xiu.
6. Ｓｔｙｌｉｓｔｉｃ　features of the Wu Dai Shi Ji by Ou-yang Xiu from the standpoint of his usage of Xu ci.
7. From the use of function words to investigate the characteristics of Zeng Gong’s ancient Chinese prose ——Comparison with Ouyang Xiu's literary style.
8. A characterisitic of OUyang Xiu's Liuyi shihua writing style.
9. On the Creation Process of “Kan Gaku Kigen”.
10. On the characteristic of OU-yang Xiu's Prose focused on the use of particle.
11. Ijichi Kian and Kei An-Focusing on Kan Gaku Ki Gen-.
Presentations
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1. About Zhou Bida’s Ouyang Wenzhong gong ji Compilation
Zhou Bida (1126–1204) of the Chinese Southern Song period undertook compilation of the 153-volume collection of Ouyang Wenzhong gong ji 120 years after the Northern Song writer Ouyang Xiu (1007–72) passed away. Zhou Bida took six years to complete the compilation, and in this presentation, we comprehensively examine the entire compilation process. We address the situation of various books related to Ouyang Xiu that existed before the compilation’s initiation, members of the compilation team, their roles, the parts they were in charge of, and the other materials that they relied on by analyzing the various sources in detail . In addition, we clarify that the portions of the manuscript completed by Zhou Bida were successively sent for printing and publishing and that Zhou Bida had been collecting and studying Ouyang Xiu’s works prior to the compilation. In this way, Zhou Bida’s compilation process for the 153-volume Ouyang Wenzhong gong ji is examined from various angles and comprehensively described.
.
Membership in Academic Society
  • Japanese Society of Song Period Chinese Literature
Educational
Other Educational Activities
  • 2019.11.
  • 2019.09.
  • 2018.10.
  • 2017.06.
  • 2015.03.


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