九州大学 研究者情報
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基本情報 研究活動 教育活動 社会活動
SCHWEIZER ANTON(シュヴァイツァー アントン) データ更新日:2020.06.30

教授 /  人文科学研究院 哲学部門 人文研究院・広人文学


主な研究テーマ
近世遊郭の建築とモノの文化

キーワード:美術史、建築史、モノ文化、社会アイデンティティーの楮構造
2019.10~2024.10.
初期グロバル時代のモノ文化
キーワード:美術史、モノ文化、美術品の国際交流、輸出芸術、社会アイデンティティーの楮構造
2018.05~2023.05.
従事しているプロジェクト研究
The Azuchi Castle Screens Research Project
2018.06~2022.05, 代表者:Paola Cavaliere, Osaka University, Sugimoto Studio
The goal of this project is to discover the fate of the Azuchi Castle folding screens or any new sources that might shed light on their character. This set of paintings executed by Kanō Eitoku and depicting Oda Nobunaga’s palatial castle home were bestowed to Pope Gregory XIII via the Jesuits in 1585. The mystery of their subsequent disappearance from record has attracted many, but there has been never been a sustained, systematic, and international effort to this end. This project intends to take on this challenge by following up on the work of a 2004-7 search effort. We intend to comb and survey European libraries and archives for records related to these priceless artifacts. New leads on their character and whereabouts will be searched for and pursued by an international and multi-disciplinary team of scholars. These efforts will culminate in a symposium to be held in 2022 as well as a trilingual publication documenting the process and discoveries made..
1550~1650年の日本における外来要素
2018.08~2020.03, 代表者:Anton Schweizer, Kyushu University, IMAP, Kakenhi
The core question to the proposed project is: How did Japan’s encounter with foreign materials and manufacturing technologies during the sixteenth and seventeenth centuries change the way art and architecture were made and appreciated? This research and workshop collaboration with top scholars in the fields of art history and material culture will secure a strong basis for a larger, international research venture that investigates in ground-breaking ways through international workshops and future publications Japan’s changing array of imported and domestic visual, creative, and artistic materials (“material culture”) during the so-called “First Global Age.” Three case studies—castle walls; feathers on military attire; painted depictions of “Japanese as foreigners”—provide a unique foundation for an open-access worldwide web-based “QMC” databank, the first of its kind..
The Many Shapes of Meaning: Object and Performance in Asia Across Time
2018.05~2020.05, 代表者:Cynthea J. Bogel, Kyushu University, Research Hub for the Humanities, Social Sciences, and Interdisciplinary Studies, Kyushu University (RINK)
This interdisciplinary research-hub project explores the circulation of material objects and performance cultures throughout Asia. Material objects and structures will include buildings, statues, paintings, and crafts; performance cultures will include theatrical genres, musical styles, and embodied practices in a variety of spatial and temporal contexts. We will bring together top researchers from around the world with different academic backgrounds, including art historians, literary scholars, musicologists, performance studies scholars, ritual practitioners, and historians. As an English-language graduate program comprised of five non-Japanese but Japanese-fluent faculty members researching in Japan fields, we IMAP and IDOC faculty (International MA Program in Japanese Humanities, International Doctorate in Japanese Humanities) will strive to pair our knowledge with that of Japanese and non-Japanese colleagues within Kyudai and globally. The project will encourage a holistic rethinking of Asian humanities, resulting in the formulation of new research trajectories and related publications that move beyond national and disciplinary borders. It will introduce Japanese and non-Japanese Kyudai faculty to a global audience.
In the first year we will build a research network through the following endeavors:
• Host two international pre-conferences at two venues, National University of Singapore and Kyudai. Top researchers from Japan, Korea, China, Singapore, Europe, and the US will be invited to present papers. A balance of emerging younger voices in each field and established senior scholars will be achieved.
• Collect and edit the most suitable papers from the two pre-conferences to be published in a special issue of The Journal of Asian Humanities at Kyushu University (JAH-Q), a peer-reviewed (査読) English-language international journal of the Faculty of Humanities.
In the second year we will hold a major international symposium in September 2019. As with the pre-conferences, several papers will be published in JAH-Q. Additionally, we will collect a group of thematically coherent papers for an essays volume to be published by an international publisher.
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研究業績
主要著書
1. Anton Schweizer, Anton Schweizer, Berlin, Germany, Hammond Reihe, 2016.06, Ōsaki Hachiman: Architecture, Materiality, and Samurai Power in Seventeenth-Century Japan..
主要原著論文
主要総説, 論評, 解説, 書評, 報告書等
主要学会発表等
学会活動
所属学会名
Japanisch-Deutsche Gesellschaft in West-Japan 西日本日独協会
Japanese Art Society of America JASA
European Association for Asian Art and Archaeology EAAA
European Association for Japanese Studies EAJS
Nihon Bijutsushi Gakkai 日本美術史学会
College Art Association CAA
Association for Asian Studies AAS
Japan Art History Forum JAHF
学会大会・会議・シンポジウム等における役割
2019.12.07~2019.12.08, Symposium "The Many Shapes of Meaning: Object and Performance in Asia", Co-organizer.
2019.11.29~2019.11.30, Workshop "Substance and Symbol in Japanese Architecture", Organizer.
2018.02.24~2018.02.24, College Art Association (アメリカ美術史学会), Panel chair, “Materials, Makers, and Commissions: Moving Objects between Asia, Europe, and the Americas during the Early Modern Globalization”.
2017.08.31~2018.05.31, European Association for Japanese Studies, triannual conference., Discussant for the panel “Ruling Momoyama Arts: Implications of Authority in Visualized Forms of Cultural Exchange.” .
学会誌・雑誌・著書の編集への参加状況
2019.05~2020.04, Journal of Asian Humanities at Kyushu University JAHQ, 国際, 編集委員.
2018.02~2019.04, Journal of Asian Humanities at Kyushu University JAHQ, 国際, Supporting member of the editorial team.
その他の研究活動
海外渡航状況, 海外での教育研究歴
Heidelberg University, Germany, 2019.10~2019.10.
Columbia University, Institute for Medieval Japanese Studies, New York University, Institute of Fine Arts, UnitedStatesofAmerica, 2019.02~2019.06.
Sainsbury Institute for Japanese Art and Culture, University of East Anglia, Freie Universitaet Berlin, UnitedKingdom, Germany, 2018.07~2018.07.
研究資金
競争的資金(受託研究を含む)の採択状況
2020年度~2021年度, 大学発ベンチャー創出推進のための事業 (文部科学省), 代表, Beyond the Southern Barbarians: Repositioning Japan in the First Global Age.
2018年度~2020年度, 科学研究費補助金 (文部科学省), 代表, 1550~1650年の日本における外来要素.
2018年度~2020年度, 大学発ベンチャー創出推進のための事業 (文部科学省), 分担, The Many Shapes of Meaning: Object and Performance in Asia Across Time.

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